The Ends of the Book
PSNH: The Ends of the Book: Authors, Readers, Public Spaces A lecture by Matthew Stadler, founder of Publication Studio, on the occasion of Publication Studio New Haven, a one-week project hosted by Beinecke Library and ArtSpace New Haven. Followed by an interview with project coordinator, Timothy Young and an audience Q&A.
Grimaces (changeable)
A paper toy from France that uses two wheels and a sliding strip to combine different facial features.
“Gd. cirque des folies élastiques intermède des grimaces d’O'Gus’” (circa 1900?)
REBINDING BLOW-OUT

REBINDING PARTY
Saturday, November 19 from 12:00 – 5:00:
“Five Buck Book Binding Blow-Out!”
Bring in your old, falling-apart paperbacks or a book whose cover doesn’t suit you, and get it rebound into a sturdy manila bound edition. $5/rebind.
at PSNH Pop-Up Shop
196 College Street, New Haven, CT 06510
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Publication Studio comes to the Elm City to redefine the social life of the book
A One-week Residency in the Coop Center for Creativity
November 14 – 19, 2011
MORE Information: PSNH

TODAY @ PSNH

THURSDAY at PSNH
(196 College Street, New Haven, CT 06510)
POP-UP SHOP OPEN HOURS
11:00 – 6:00
PUBLICATION DEMONSTRATION
(refreshments served)
1:00 – 2:00
PSNH PUBLIC LECTURE
Matthew Stadler, founder of Publication Studio
“The Ends of the Book: Authors, Readers, Public Spaces”
Thursday, November 17, 4:00 – 5:30.
Location: Beinecke Rare Book and Manuscript Library,
121 Wall Street, New Haven, CT
Free and open to the public
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Publication Studio comes to the Elm City to redefine the social life of the book
A One-week Residency in the Coop Center for Creativity
November 14 – 19, 2011
MORE Information: PSNH

Today at PSNH

WEDNESDAY at PSNH
(196 College Street, New Haven, CT 06510)
POP-UP SHOP OPEN HOURS
11:00 – 6:00
PUBLICATION DEMONSTRATION
(refreshments served)
5:00 – 6:00
Matthew Stadler discusses Print on Demand, Literature, and the World
using 20 images shown for 20 seconds each
6:30pm at Bentara
Bentara is on Orange Street between Chapel and Crown, in downtown New Haven.
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Publication Studio comes to the Elm City to redefine the social life of the book
A One-week Residency in the Coop Center for Creativity
November 14 – 19, 2011
MORE Information: PSNH

The Grandpère of the MAD Fold-in
Shades of Al Jaffee and MAD Magazine . . .
A printed and folded novelty celebrating Louis XVIII, King of France, 1814-1824.
(Published by J.B. Verzy, circa 1814).
The piece unfolds to spell out the virtues of the man who ruled during the Bourbon Restoration.
The Game of Medicinal Herbs
Centroid envy
A scrapbook of original designs and proof prints for early Victorian bindings done by R. A. Harrison, ca. 1840s.
Along with sketches for roundels and decorative borders, product labels, and a caricature, are a number of proof sheets for bindings, that retain, remarkably, their intense colors, making available to bibliographers for this period of book production, some of the most faithful hues (which can be described using the Centroid Color Chart).
A Woman’s Paradise
UNION FRANÇAISE DES INDUSTRIES EXPORTATRICES. l’Elegance Francaise. Paris Ateliers d’Impressions et de Cartonnages d’Art, [1940].
A deluxe book showcasing all of the beautiful products a woman can find in Paris. Intended for distribution at the World’s Fair in New York in 1940, this item never made in across the ocean, due to the occupation of Paris in June, 1940. Contributing authors include Marcel Prévost on Robes; Ferdinand Divoire on Chapeaux; Abel Bonnard on Bijoux; and Maurice Rostand on Parfums.
Synthetic talk, Parody, Defacement, No Authority
Pages of galley proofs for George W. S. Trow’s landmark essay “Within the Context of No Context”, published in The New Yorker, November 17, 1980.
The working title was “People in the Grid of Two Hundred Million”.
How are Multitides?
EXHIBITION CLOSING PARTY
How is a Book?
and
Multitudes: A Celebration of the Yale Collection of American Literature, 1911 – 2011
Friday, September 23, 2011 at 5:00
More about Multitudes and How is a Book
Beinecke Rare Book & Manuscript Library
Yale University, 121 Wall Street, New Haven
Free and open to the public
Image: [Crowd gathered for a tug-of-war competition at the University of Montana, Missoula], [1911-12]
Why is it called Ovaltine?
An album of photographs showing the Ovaltine manufacturing plant in King’s Langley in Herfordshire, England (A.Wander Ltd, London & King’s Langley. Views of Works & Offices. 1923.)
Phenakistiscope
The Phenakistastcope or Magic Disc Edinburgh: Published by Forrester & Nichol, Lithographers, 10 George Street, & John Dunn, option 50 Hanover Square. [1832-1833].
A set of round prints for use in a phenakistiscope, an early device that took advantage of persistence of vision to show continuous motion, including several designed by Edward Sang, and published by the maker of optical instruments, John Dunn.
Window Picture
Research in Beinecke Library Collections:
Photographic Memory Workshop – Graduate Student Working Group 2011-2012
The Photographic Memory Workshop is pleased to invite graduate students, post-doctoral students and academic fellows of the Yale community to submit presentation proposals to its 2011-2012 Graduate Student Working Group. In addition to our usual calendar of visiting scholar lectures, our workshop series offers members of the Yale community working on photography an opportunity to present and discuss works in progress.
Our aim is to bring together people from a variety of disciplines to give feedback and to inspire productive critical conversation about the visual material.
At each meeting, the speaker will give a 20-30 minute informal presentation centered on a set of photographs, instruments, or materials. These presentations can be formal papers, works in progress, or curatorial projects. Electronic images of the subject being presented (but not the text of the presentation itself) will be pre-circulated to the group by email prior to each meeting. The presentation will be followed by critical conversation and feedback about the speaker’s research project/paper/exhibition.
We are open to any submission related to photography. This includes, but is not limited to, photography’s material processes and cultural history, scientific and applied photography, photographs in books, as well as conceptual, fine-art, and commercial photography. We especially welcome proposals relating to objects in any of the Yale University collections.
Photographic Memory Workshop Meetings:
The Workshop meets several times throughout the semester, generally at 6pm on Wednesdays. Specific dates and time TBA–contact the organizers for details or to receive announcements about meetings and related events.
Submission Guidelines:
Please send a 250-500 word proposal along with a selection of images relating to your research topic by October 1st, 2011 to photographicmemoryworkshop@gmail.com.
About the Photographic Memory Workshop:
This is the thirteenth year of the Photographic Memory Workshop under the mentorship of Professor Laura Wexler. The workshop, which brings together graduate students, faculty, and staff from a wide variety of disciplines, explores the myriad of possibilities inherent in the study of photographs and/or memory. Should you have any questions about the workshop or our activities, please email photographicmemoryworkshop@gmail.com or contact the graduate student fellows at heidi.knoblauch@yale.edu and audrey.sands@yale.edu.
About Photography in the American Literature and Modern Books and Manuscripts Collections:
Photographic materials in the Collections compliment the book and manuscript collections, with a close relationship to archival materials and other primary documentation. Holdings in the collections document the lives of writers and literary communities, cultural spaces, and significant events of various kinds and include everything from snapshots and passport photographs to fine art and portrait photography by some of the most important photographers of the 20th century. Materials in the Modern Books and Manuscripts Collection are primarily from Europe and Africa; photographic materials in the Yale Collection of American Literature document the lives and work of Americans at home and abroad. Brief overviews of the Collections can be found online: Photography in the Modern Books and Manuscripts Collection: http://photostest.odai.yale.edu/directory/dir_single_collection.php?collection_id=14; Photography in the Yale Collection of American Literature: http://photostest.odai.yale.edu/directory.
About Photography in Yale Collections:
A Directory of Yale Photographic Collections provides a portal through which to mine the breadth of the University’s images across repositories and disciplines. The interdisciplinary nature of these resources opens the possibility for endless discoveries of images illustrating sweeping applications of the medium and at the same time presents exciting avenues for the creative use of photographs in object-based learning. http://photostest.odai.yale.edu/directory/index.php
Image:
Jonathan Williams, [Polaroid photo of cat in window], undated. By Permission of Jargon Books/Jonathan Williams Estate.
The Rise and Fall of Volapük
Four volumes of clippings tracing the first 10 years of the creation and promotion of Volapük,
a constructed language claimed to have been divinely given to Johann Schleyer, a German Priest.
Jewel Box
“America’s Finest Femme- Mimics” publicity fan from the Jewel Box Lounge, The Most Talked About Nite Club in the Midwest (Kansas City, MO, undated).
The archival component of the Laura Bailey Collection of Gender and Transgender Materials (GEN MSS 787) is now available for research. One of the largest and most diverse collections of its kind, the Laura Bailey Collection of Gender and Transgender Materials consists of a broad range of printed and visual materials, including photographs, postcards, and many types of printed ephemera; manuscript materials, and audiovisual materials. The collection is organized largely as it was received from Bailey, with many materials in binders according to category of gender or transgender culture or performance as assigned by Bailey. Also included is a catalog for the collection compiled by Bailey and the hand-written index cards she used to catalog it. A primary description of the contents of the archival component of the collection is available online here: http://hdl.handle.net/10079/fa/beinecke.lbailey. Cataloging and description of the printed material is ongoing.
Day at the Beach
Lawrence Langner, Fania Marinoff (Mrs. Carl Van Vechten), Eugene O’Neill , Armina Marshall (Mrs. Langner) (ZA Van Vechten)
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Stieglitz family (YCAL MSS 85)
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Natalie Paley (GEN MSS 574)
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[Photograph of Anne [Gathorne-Hardy], Ruth [Gathorne-Hardy?], John Spencer Churchill, and unidentified woman on the beach near Snape] (GEN MSS 476)
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[Photograph of Meschrabpom's American Film Group on the beach] (JWJ MSS 26)
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[Photograph of Henry Geldzahler and Marty Edelheit on the beach]. (UNCAT MSS 30)
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Gerald and Sara Murphy (UNCAT MSS 101)























































































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